{"id":85,"date":"2018-03-06T21:39:38","date_gmt":"2018-03-06T20:39:38","guid":{"rendered":"http:\/\/www.theresewaldner.com\/?page_id=85"},"modified":"2018-03-09T17:52:00","modified_gmt":"2018-03-09T16:52:00","slug":"doswiadczenie","status":"publish","type":"page","link":"https:\/\/www.theresewaldner.com\/en\/doswiadczenie\/","title":{"rendered":"Experience"},"content":{"rendered":"

[vc_row][vc_column][vc_custom_heading text=”HISTORY OF ARTISTIC PERFORMANCES” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space]

<\/span>1998\u20132009<\/span><\/div><\/div>[vc_column_text]Deutsche Oper am Rhein soloist, D\u00fcsseldorf-Duisburg<\/strong><\/p>\n

Solo parts<\/strong>: \u201cAida” (Aida), \u201cOtello\u201d (Desdemona), \u201cDon Carlos” (Elisabeth), “Macbeth\u201d (Lady Macbeth), \u201cII Trovatore\u201d (Leonore), \u201cNabucco\u201d (Abigaile), “Balio in Maschera\u201d (Amelia), \u201cMadama Butterfly\u201c (Butterfly), \u201cTosca\u201d (Tosca), \u201cTrittico\u201d (Suor Angelica, Giorgetta), \u201cCavalleria Rusticana'” (Santuzza), \u201cDon Giovanni” (Donna Anna), “Le nozze di Figaro\u201c (Gr\u00e4fin), “Fliegende Holl\u00e4nder\u201d (Senta), \u201cTannh\u00e4user\u201c\u2019 (Elisabeth), \u201cFidelio\u201c (Leonore), \u201cValkyrie\u201d (Sieglinde, Wellgunde), \u201cElektra” (Chrysothemis), \u201cJenufa\u201d (Jenufa), “Bartered Bride\u201d (Marie).[\/vc_column_text]

<\/span>1995\u20131998<\/span><\/div><\/div>[vc_column_text]Badisches Staatstheater soloist, Karlsruhe<\/strong><\/p>\n

Solo parts<\/strong>: “Bartered Bride\u201d (Maria) \u201cDon Carlos\u201d (Elisabeth), \u201cOtello\u201d (Desdemona), \u201cAida\u201d (Aida), \u201cMacbeth\u201c (Lady Macbeth), \u201cMadama Butterfly\u201d (Butterfly), \u201cDon Giovanni\u201c (Donna Anna), \u201cCavalleria Rusticana\u201d (Santuzza), \u201cPrince Igor\u201d (Jaroslawna), \u201cRosenkavalier\u201d (Feldmarschallin), Recitals: Symphony No 3 (G\u00f3recki).<\/p>\n

Song recital<\/strong>: (Chopin, Strauss, Rachmaninov, Tchaikovsky<\/em>)[\/vc_column_text]

<\/span>1992-1995<\/span><\/div><\/div>[vc_column_text]Theater am Goetheplatz soloist, Bremen<\/strong><\/p>\n

Solo parts<\/strong>: \u201cLa Boheme\u201c (Mimi), \u201cSimone Boccanegra” (Amelia), \u201dJulius Caesar\u201c (Cleopatra), \u201cEugene Onegin\u201d (Tatiana), \u201cJenufa\u201d (Jenufa), “Hoffmanns Erz\u00e4hlungen” (Antonia, Giulietta), \u201cDie Lustige Witwe” (Hanna)<\/p>\n

Gala Abend<\/strong> – Giacomo Puccini[\/vc_column_text]

<\/span>1985\u20131992<\/span><\/div><\/div>[vc_column_text]Grand Theatre <\/strong>Soloist, Warsaw<\/strong><\/p>\n

Debut<\/strong>: Lady Billows \u201cAlbert Herring\u201d by Britten<\/p>\n

Solo parts<\/strong>: \u201cHalka\u201d (Halka), \u201cManru\u201d (Ulana), \u201cLa Boheme” (Mimi), \u201cFidelio” (Leonore), \u201cRing” (Wellgunde).[\/vc_column_text][vc_separator][vc_custom_heading text=”STAGE PERFORMANCES IN AMERICA, ASIA AND EUROPE” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”22px”][vc_column_text]2017 –\u00a0<\/strong>\u201cOpera Is Life\u201d evening \u2013 arias from operas by Giacomo Puccini<\/p>\n

2017 –\u00a0<\/strong>Concert in Bia\u0142ystok, \u015aledzi\u0144scy Gallery, Chopin, Moniuszko, Kar\u0142owicz, Tchaikovsky<\/em>, Verdi)<\/p>\n

2016 –\u00a0<\/strong>Organ Festival in Frombork (Verdi, Wagner, Puccini)<\/p>\n

2016 –\u00a0<\/strong>\u201cBaikal Breath\u201d Festival in Irkutsk (festival honoured guest)<\/p>\n

2015 –\u00a0<\/strong>National Theatre, Ostrava \u2013 \u201cNabucco\u201d (Abigail)<\/p>\n

2014 –\u00a0<\/strong>National Theatre, Ostrava \u2013 \u201cNabucco\u201d (Abigail)<\/p>\n

2013 –\u00a0<\/strong>National Theatre, Ostrava \u2013 \u201cLa Wally\u201d (Wally), \u201cLohengrin” (Ortrud)<\/p>\n

2011 –\u00a0<\/strong>Cologne Liederabend (Chopin, Kar\u0142owicz, Paderewski, \u00a0\u00a0\u00a0 Szymanowski)<\/p>\n

2010 –\u00a0<\/strong>Warsaw \u2013 \u201cElektra\u201d (Chrysothemis)<\/p>\n

2009 –\u00a0<\/strong>Monte Carlo \u2013 \u201cDer Fliegende Holl\u00e4nder\u201d (Senta)<\/p>\n

2008 –\u00a0<\/strong>Strasburg (F) \u2013 \u201cElektra\u201d (Chrysothemis), D\u00fcsseldorf \u2013 Grand Opera Gala with Jose Cura<\/p>\n

2005 –\u00a0<\/strong>National Theatre, Prague \u2013 “Valkyrie” (Sieglinde)<\/p>\n

2003 –\u00a0<\/strong>Maggio Musicale\u00a0 Florentino \u2013 \u201cFidelio\u201d (Leonore), Milan Teatro alla Scala \u2013 \u201cFidelio\u201d (Leonore) conducted by Ricardo Muti, Brazil, San Paulo – \u201cJenufa” (Jenufa)<\/p>\n

1999 –\u00a0<\/strong>Weimar, European Cultural Days \u2013 Symphony No 8 (Gustav Mahler)<\/p>\n

1998 –\u00a0<\/strong>Skopje \u2013 Grand Opera Gala<\/p>\n

1996-2001 –\u00a0<\/strong>USA (Puerto Rico) \u201cSimone Boccanegra\u201d, (Amelia), \u201cTosca\u201d (Tosca), \u201cII Trovatore” (Leonore), Requiem Verdi<\/p>\n

1991-1992 –\u00a0<\/strong>Torre del Lago \u2013 concerts<\/p>\n

1990 –\u00a0<\/strong>Brazil, Curitiba \u2013 \u201cHalka\u201d (Halka)<\/p>\n

1990 –\u00a0<\/strong>Japan (Tokyo, Osaka, Nagasaki) \u2013 concerts\u00a0\u00a0 \u00a0<\/strong>[\/vc_column_text][vc_custom_heading text=”GUEST PERFORMANCES IN INDIVIDUAL EUROPEAN CITIES” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”22px”][vc_column_text]Stockholm<\/strong> \u2013 \u201cTannha\u00fcser\u201d (Elisabeth), G\u00f6teborg \u2013 \u201cAida\u201d (Aida)<\/p>\n

Liege<\/strong> \u2013 \u201cForza del Destino\u201d (Leonore),<\/p>\n

Gent<\/strong> \u2013 \u201cOtello\u201d (Desdemona), \u201cValkyrie\u201d (Sieglinde)<\/p>\n

Limoges<\/strong> \u2013 \u201cFidelio\u201d (Leonore), \u201cAndrea Chenier\u201d (Maddalena)<\/p>\n

Salzburg<\/strong> \u2013 \u201cAida\u201d (Aida),<\/p>\n

Essen<\/strong> \u2013 \u201cCavalleria Rusticana\u201d (Santuzza)<\/p>\n

Konstanz<\/strong> \u2013 Italian Opera Gala<\/p>\n

Hannover<\/strong> \u2013 NDR \u201cItalian Evening\u201d<\/p>\n

Duisburg<\/strong> \u2013 \u201cWar Requiem\u201d Benjamin Britten<\/p>\n

N\u00fcrnberg<\/strong> \u2013 \u201cStabat Mater\u201d \u2013 A. Dvorak<\/p>\n

Leipzig<\/strong> \u2013 \u201cIl Trovatore\u201d (Leonore), \u201cDon Giovanni\u201d (Donna Anna)[\/vc_column_text][vc_custom_heading text=”OPERA WORKSHOPS” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”22px”][vc_column_text]2016 –\u00a0<\/strong>Opera Workshops for Young Artists in Irkutsk, Russia<\/p>\n

2011 –\u00a0<\/strong>Opera Workshops at Hochschule f\u00fcr Musik und Tanz in Cologne[\/vc_column_text][vc_custom_heading text=”RECORDS” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”22px”][vc_column_text]2005 –\u00a0<\/strong>R. Wagner \u2013 \u201cValkyrie\u201d (Ring of the Nibelung) \u2013 Sieglinde, Opera Orchestra and Choir of the National Theatre, Prague[\/vc_column_text][vc_custom_heading text=”PUBLICATIONS” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”22px”][vc_column_text]2013 –\u00a0<\/strong>Publication of the doctoral thesis in the form of the book \u2013 Scientific Society of Organisation and Management in Toru\u0144.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_custom_heading text=”HISTORY OF ARTISTIC PERFORMANCES” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space][vc_column_text]Deutsche Oper am Rhein soloist, D\u00fcsseldorf-Duisburg Solo parts: \u201cAida” (Aida), \u201cOtello\u201d (Desdemona), \u201cDon Carlos” (Elisabeth), “Macbeth\u201d (Lady Macbeth), \u201cII Trovatore\u201d (Leonore), \u201cNabucco\u201d (Abigaile), “Balio in Maschera\u201d (Amelia), \u201cMadama Butterfly\u201c (Butterfly), \u201cTosca\u201d (Tosca), \u201cTrittico\u201d (Suor Angelica, Giorgetta), \u201cCavalleria Rusticana’” (Santuzza), \u201cDon Giovanni” (Donna Anna), “Le nozze di Figaro\u201c (Gr\u00e4fin), “Fliegende…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-85","page","type-page","status-publish","hentry","description-off"],"yoast_head":"\nExperience<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theresewaldner.com\/en\/doswiadczenie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:locale:alternate\" content=\"pl_PL\" \/>\n<meta property=\"og:locale:alternate\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Experience\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_custom_heading text=”HISTORY OF ARTISTIC PERFORMANCES” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space][vc_column_text]Deutsche Oper am Rhein soloist, D\u00fcsseldorf-Duisburg Solo parts: \u201cAida” (Aida), \u201cOtello\u201d (Desdemona), \u201cDon Carlos” (Elisabeth), “Macbeth\u201d (Lady Macbeth), \u201cII Trovatore\u201d (Leonore), \u201cNabucco\u201d (Abigaile), “Balio in Maschera\u201d (Amelia), \u201cMadama Butterfly\u201c (Butterfly), \u201cTosca\u201d (Tosca), \u201cTrittico\u201d (Suor Angelica, Giorgetta), \u201cCavalleria Rusticana'” (Santuzza), \u201cDon Giovanni” (Donna Anna), “Le nozze di Figaro\u201c (Gr\u00e4fin), “Fliegende…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theresewaldner.com\/en\/doswiadczenie\/\" \/>\n<meta property=\"og:site_name\" content=\"Therese Waldner | Teresa Borowczyk - 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