{"id":85,"date":"2018-03-06T21:39:38","date_gmt":"2018-03-06T20:39:38","guid":{"rendered":"http:\/\/www.theresewaldner.com\/?page_id=85"},"modified":"2018-03-09T17:52:00","modified_gmt":"2018-03-09T16:52:00","slug":"doswiadczenie","status":"publish","type":"page","link":"https:\/\/www.theresewaldner.com\/de\/doswiadczenie\/","title":{"rendered":"Berufserfahrung"},"content":{"rendered":"

[vc_row][vc_column][vc_custom_heading text=“VERLAUF DER ARTISTISCHEN ARBEIT“ font_container=“tag:h4|text_align:left“ use_theme_fonts=“yes“][vc_empty_space]

<\/span>1998\u20132009<\/span><\/div><\/div>[vc_column_text]Solistin der Deutschen Oper am Rhein, D\u00fcsseldorf-Duisburg<\/strong><\/p>\n

Solopartien:<\/strong> \u201eAida\u201c (Aida), Otello (Desdemona), \u201eDon Carlos\u201d (Elisabeth), \u201eMacbeth\u201d (Lady Macbeth), \u201eIl Trovatore\u201c (Leonore), \u201eNabucco\u201d (Abigaile), \u201eBallo in Maschera\u201c (Amelia), \u201eMadama Butterfly\u201d (Butterfly), \u201eTosca\u201d (Tosca), \u201eTrittico\u201d (Sour Angelica, Giorgetta), \u201eCavalleria Rusticana\u201d (Santuzza), \u201eDon Giovanni\u201d (Donna Anna), \u201eLa nozze di Figaro\u201d (Gr\u00e4fin), \u201eDer fliegende Holl\u00e4nder\u201d (Senta), \u201eTannh\u00e4user\u201d (Elisabeth), \u201eFidelio\u201d (Leonore), \u201eWalk\u00fcre\u201d (Siegelinde, Wellgunde), \u201eElektra\u201d (Chrysothemis), \u201eJenufa\u201d (Jenufa), \u201eDie verkaufte Braut\u201d (Marie)[\/vc_column_text]

<\/span>1995\u20131998<\/span><\/div><\/div>[vc_column_text]Solistin der Badischen Staatstheater in Karlsruhe<\/strong><\/p>\n

Solopartien:<\/strong> \u201eDie verkaufte Braut\u201d (Marie), \u201eDon Carlos\u201d (Elisabeth), Otello (Desdemona), \u201eAida\u201c (Aida), \u201eMacbeth\u201d (Lady Macbeth), \u201eMadama Butterfly\u201d (Butterfly), \u201eDon Giovanni\u201d (Donna Anna), \u201eCavalleria Rusticana\u201d (Santuzza), \u201eF\u00fcrst Igor\u201c (Jaroslawna), \u201eRosenkavalier\u201d (Feldmarschallin)<\/p>\n

Solistenkonzerte: <\/strong>Symphonie No. 3 Gorecki, Lieder-Recital (Chopin, Strauss, Rachmaninov, Tschaikowski[\/vc_column_text]

<\/span>1992-1995<\/span><\/div><\/div>[vc_column_text]Solistin des Theaters am Goetheplatz in Bremen<\/strong><\/p>\n

Solopartien:<\/strong> \u201eLa Boheme\u201c (Mimi), \u201eSimone Boccanegra\u201c (Amelia), \u201eJulius Caesar\u201c (Cleopatra), \u201eEugene Onegin\u201d (Tatiana), \u201eJenufa\u201d (Jenufa), \u201eHoffmanns Erz\u00e4hlungen\u201c (Antonia Giulietta), \u201eDie lustige Witwe\u201c (Hanna)<\/p>\n

Gala-Abend<\/strong> \u2013 Giacomo Puccini[\/vc_column_text]

<\/span>1985\u20131992<\/span><\/div><\/div>[vc_column_text]Solistin von Teatr Wielki\u00a0 in Warschau<\/strong><\/p>\n

Deb\u00fct: <\/strong>Lady Billows Britten \u201eAlbert Herring\u201c<\/p>\n

Solopartien:<\/strong> \u201eHalka\u201c (Halka), \u201eManru\u201c (Ulana), \u201eLa Boheme\u201c (Mimi), \u201eFidelio\u201d (Leonore), \u201eRing\u201d (Wellgunde)[\/vc_column_text][vc_separator][vc_custom_heading text=“AUFTRITTE AUF DEN B\u00dcHNEN AMERIKAS; ASIENS UND EUROPAS“ font_container=“tag:h4|text_align:left“ use_theme_fonts=“yes“][vc_empty_space height=“22px“][vc_column_text]2017 –\u00a0<\/strong>Arien-Abend \u201eOper ist das Leben\u201c Arien aus den Opern von Giacomo Puccini<\/p>\n

2017 –\u00a0<\/strong>Konzert in Bia\u0142ystok in der Kunstgalerie Galeria im. Sle\u0144dzi\u0144skich (Chopin, Moniuszko, Kar\u0142owicz, Tschaikowski, Verdi)<\/p>\n

2016 – <\/strong>Orgelfestival in Frombork (Verdi, Wagner, Puccini)<\/p>\n

2016 – <\/strong>Festival \u201eAtem des Bajkals\u201c in Irkutsk (Ehrengast des Festivals)<\/p>\n

2015 –\u00a0<\/strong>Narodni Divadlo Ostrava \u2013 \u201eNabucco\u201c (Abigail)<\/p>\n

2014 –\u00a0<\/strong>Narodni Divadlo Ostrava \u2013 \u201eNabucco\u201c (Abigail)<\/p>\n

2013 –\u00a0<\/strong>Narodni Divadlo Ostrava \u2013 \u201eLa Wally\u201c (Wally), \u201eLohengrin\u201d (Ortrud)<\/p>\n

2011 – <\/strong>K\u00f6ln, Liederabend (Chopin, Kar\u0142owicz, Paderewski, Szymanowski)<\/p>\n

2010 – <\/strong>Warschau \u2013 \u201eElektra\u201d (Chrysothemis)<\/p>\n

2009 –\u00a0<\/strong>Monte Carlo \u2013 \u201cDer Fliegende Holl\u00e4nder\u201d (Senta)<\/p>\n

2008 – <\/strong>Stra\u00dfburg (F)\u00a0\u2013 \u201cElektra\u201d (Chrysothemis), D\u00fcsseldorf \u2013 Gro\u00dfe Operngala mit Jose Cura<\/p>\n

2005 –\u00a0<\/strong>Narodni Divadlo Prag \u2013 \u201eWalk\u00fcre\u201c (Sieglinde)<\/p>\n

2003 –\u00a0<\/strong>Maggio Musicale Florenz \u2013 \u201eFidelio\u201d (Leonore), Mailand, Teatro alla Scala \u2013 \u201eFidelio\u201d (Leonore) unter Leitung von Ricardo Muti, Brasil, San Paulo \u2013 \u201eJenufa\u201d (Jenufa)<\/p>\n

1999 – <\/strong>Weimar, Europ\u00e4ische Kulturtage \u2013 Symphonie Nr. 8 von Gustav Mahler<\/p>\n

1998 – <\/strong>Skopje, Gro\u00dfe Operngala<\/p>\n

1996-2001 –\u00a0<\/strong>USA (Puerto Rico) \u2013 \u201eSimone Boccanegra\u201d (Amelia), \u201eTosca\u201d (Tosca), \u201eTrovatore\u201d (Amelia), \u201eTrovatore\u201d (Leonore), Requiem Verdi<\/p>\n

1991-1992 –\u00a0<\/strong>Torre del Lago, Konzerte<\/p>\n

1990 –\u00a0<\/strong>Brasil, Curtiba \u2013 \u201eHalka\u201d (Halka)<\/p>\n

1990 – <\/strong>Japan, (Tokyo, Osaka, Nagasaki) \u2013 Konzerte[\/vc_column_text][vc_custom_heading text=“GASTAUFTRITTE IN EINZELNEN EUROP\u00c4ISCHEN ST\u00c4DTEN
\n“ font_container=“tag:h4|text_align:left“ use_theme_fonts=“yes“][vc_empty_space height=“22px“][vc_column_text]Stockholm<\/strong> \u2013 \u201eTannh\u00e4user\u201c (Elisabeth), \u201eAida\u201c (Aida)<\/p>\n

Liege<\/strong> \u2013 \u201eForza del Destino\u201c (Leonore),<\/p>\n

Gent<\/strong> \u2013 \u201eOtello\u201c (Desdemone), \u201eWalk\u00fcre \u201c (Sieglinde)<\/p>\n

Limoges<\/strong> \u2013 \u201eFidelio \u201c (Leonore), \u201eAndrea Chenier \u201c (Maddalena)<\/p>\n

Salzburg<\/strong> \u2013 \u201eAida\u201c (Aida),<\/p>\n

Essen<\/strong>– Cavaleria Rusticana\u201c (Santuzza)<\/p>\n

Konstanz<\/strong> \u2013 Italienische Operngala<\/p>\n

Hannover\u00a0<\/strong>\u2013 \u201eItalienischer Abend\u201c<\/p>\n

Duisburg<\/strong> \u2013 \u201eWar Requiem\u201c Benjamin Britten<\/p>\n

N\u00fcrnberg<\/strong> \u2013 \u201eStabat Mater\u201c A. Dvorak<\/p>\n

Leipzig<\/strong> \u2013 \u201eIl Trovatore\u201c (Leonore), \u201eDon Giovanni\u201c (Donna Anna)[\/vc_column_text][vc_custom_heading text=“OPERN-WORKSHOPS“ font_container=“tag:h4|text_align:left“ use_theme_fonts=“yes“][vc_empty_space height=“22px“][vc_column_text]2016<\/strong> – Opern-Workshops f\u00fcr Junge K\u00fcnstler in Irkutsk (Ru\u00dfland)<\/p>\n

2011<\/strong> – Opern-Workshops an der Hochschule f\u00fcr Musik und Tanz in K\u00f6ln[\/vc_column_text][vc_custom_heading text=“AUFNAHMEN“ font_container=“tag:h4|text_align:left“ use_theme_fonts=“yes“][vc_empty_space height=“22px“][vc_column_text]2005<\/strong> – R. Wagner \u2013 \u201eWalk\u00fcre\u201c (Der Ring der Nibelungen) \u2013 Sieglinde, Opernorchester und -chor von Narodni Divadlo, Prag[\/vc_column_text][vc_custom_heading text=“VER\u00d6FFENTLICHUNGEN“ font_container=“tag:h4|text_align:left“ use_theme_fonts=“yes“][vc_empty_space height=“22px“][vc_column_text]2013 –\u00a0<\/strong>Doktorarbeit, ver\u00f6ffentlicht und herausgegeben von der Wissenschaftlichen\u00a0Gesellschaft TNOiK Toru\u0144 als Buch[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_custom_heading text=“VERLAUF DER ARTISTISCHEN ARBEIT“ font_container=“tag:h4|text_align:left“ use_theme_fonts=“yes“][vc_empty_space][vc_column_text]Solistin der Deutschen Oper am Rhein, D\u00fcsseldorf-Duisburg Solopartien: \u201eAida\u201c (Aida), Otello (Desdemona), \u201eDon Carlos\u201d (Elisabeth), \u201eMacbeth\u201d (Lady Macbeth), \u201eIl Trovatore\u201c (Leonore), \u201eNabucco\u201d (Abigaile), \u201eBallo in Maschera\u201c (Amelia), \u201eMadama Butterfly\u201d (Butterfly), \u201eTosca\u201d (Tosca), \u201eTrittico\u201d (Sour Angelica, Giorgetta), \u201eCavalleria Rusticana\u201d (Santuzza), \u201eDon Giovanni\u201d (Donna Anna), \u201eLa nozze di Figaro\u201d (Gr\u00e4fin), \u201eDer…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-85","page","type-page","status-publish","hentry","description-off"],"yoast_head":"\nBerufserfahrung<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theresewaldner.com\/de\/doswiadczenie\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:locale:alternate\" content=\"pl_PL\" \/>\n<meta property=\"og:locale:alternate\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Berufserfahrung\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_custom_heading text=“VERLAUF DER ARTISTISCHEN ARBEIT“ font_container=“tag:h4|text_align:left“ use_theme_fonts=“yes“][vc_empty_space][vc_column_text]Solistin der Deutschen Oper am Rhein, D\u00fcsseldorf-Duisburg Solopartien: \u201eAida\u201c (Aida), Otello (Desdemona), \u201eDon Carlos\u201d (Elisabeth), \u201eMacbeth\u201d (Lady Macbeth), \u201eIl Trovatore\u201c (Leonore), \u201eNabucco\u201d (Abigaile), \u201eBallo in Maschera\u201c (Amelia), \u201eMadama Butterfly\u201d (Butterfly), \u201eTosca\u201d (Tosca), \u201eTrittico\u201d (Sour Angelica, Giorgetta), \u201eCavalleria Rusticana\u201d (Santuzza), \u201eDon Giovanni\u201d (Donna Anna), \u201eLa nozze di Figaro\u201d (Gr\u00e4fin), \u201eDer…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theresewaldner.com\/de\/doswiadczenie\/\" \/>\n<meta property=\"og:site_name\" content=\"Therese Waldner | Teresa Borowczyk - 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